serai: A kiss between Casey Connor and Zeke Tyler (Default)
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So I watched the movie "Tolkien" last night, and it brought out in full relief what I find so frustrating about most biopics, and that's how unnecessary so many of them are. Take this one, for example. There really isn't anything extraordinary or unusual about his life. He was an orphan, he fell in love, his guardian said "you must wait til you're an adult". Then he went to war and survived (his friends did not). Then he came home and became a professor, got married, had some kids. Nothing about any of that deserves a whole movie. The only thing that makes it interesting is the fact that decades later Tolkien published some amazing stories that appear to have been influenced by his personal history. But other than a couple of anecdotes he related, there's no way to know exactly what influenced him in what way, or whether its influence was direct, or anything else. Tolkien himself said he detested allegory and tried to avoid it whenever he caught a whiff of it, so claiming that the flamethrowers became dragons, or that his personal batman was the reason he wrote Sam Gamgee, is spurious.

And what's really maddening on that score is the things we DO know were direct influences - like his future wife dancing for him on a picnic, which gave birth to an enormous part of his legendarium in that instant - are treated like little throwaway moments, while the film is busy extrapolating HUGE MEANING out of stuff that's iffy at best and a flat out fabrication at worst. AND the film is shy about naming names or doing any direct attribution, so unless you already know his story, you're left wondering what's so important about, say, the steams and smokes rising above the battlefield that the director feels he has to keep hammering home how ugly it all is. It's just so fucking hamhanded and clueless and CLUMSY, I couldn't figure out why anyone would have thought this film was a good idea.

ARGH



And how are all of you?
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serai: (Aphrodite)
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I have this theory that revealed itself to me when I first heard this music...




Astrae - Vas

The music of the Haradrim



...that far back in the First Age, some few of the Elves headed south, and were thought lost to the great deserts. But in truth they wandered until they came to Far Harad, and there brought word of the Valar to the people of that land. And they, seeing the beauty and power of these otherworldly folk, built lovely temples to their gods.

When I hear this piece, I imagine slender, dusky priestesses swathed in layers of red silk, dancing beneath an exquisitely filagreed roof open to the sky, singing praises to Al-Barat, the Lady of the Stars.


(Many years ago, I worked with Azam Ali (the voice of Vas) at the Bodhi Tree in Los Angeles, when she and Greg Ellis were just starting their musical careers. This is off their first album, Sunyata. Azam has gone on to great success with her lovely music and mysterious lyrics. This makes me very happy.)
serai: A kiss between Casey Connor and Zeke Tyler (HobbitHug)
News on the Tolkien front:

Christopher Tolkien has completed the Narn i Hin Hurin

A quiet huzzah. Reading that story in Unfinished Tales was one of the most supremely frustrating literary experiences of my life, because the expanded version of Turin's tale - intense, tragic, downright operatic - was so well-written, and yet there was this big chunk of empty right in the middle of it.

Now Tolkien's son has filled in the gap, using the version in the Silmarillion, drafts and notes written by the Professor, and his own long experience in annotating and reconstituting his father's writings. If anybody could do this, he's the guy to do it.

I'm really looking forward to reading it. I love that story to pieces. It's so star-crossed and tragic, it's positively Greek. That whole puppets-in-the-hands-of-the-gods feel is rife throughout the story, and I just love that kind of thing. So yay.

And of course, being as cinematically minded as I am, I immediately think that, what with LOTR having been such a huge franchise, there would be a lot of interest in optioning the book. (Not that that's going to bear fruit, the Tolkiens being as opposed to film projects as they are.) Having seen and been enthralled by the recent Malick film The New World, I can attest that the perfect actor these days to play Turin is Colin Farrell.

Really. Rent that film and behold just how damn profound he can be. It's a stunning performance. And most important of all for Turin, not only can Farell exhibit that dark, doom-laden drama, but he is wonderful at emoting without words; his eyes can take on a fathomless, emotive quality that at times gives him the feel of something wild, a wolf or hawk. And that's perfect for Turin. I could see him spending the majority of the film without speaking, with those operatic explosions that mark the character, and I can also see him going through that softening and melting of heart that happens when Niniel appears in his life again.

Eh, I could go on! But hey, New Tolkien! Now that's a lovely gift from the Professor on this Hobbits' Day, woudln't you say?

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